I grieve in three shades: gray, black, and in that pinkish hue you find on the underbelly of a dead fish. I walk through cemeteries and the gravestones pour out their hearts to me, and I am glad to have umbrella when the pale-faced sky opens all the faucets in the house at once.
I grieve inside of acoustic-guitar strings. Its quiet there, and the warm hum reminds me of the glowing ember gnawing its way out of me from right behind my lungs, puncturing them to let out every breath I took from the crisp winter air that nips my face, licks me right on the nose, bathes my face in icy feather down.
I go to the art store to look through empty frames, because your face is in every one, and the gray in me turns to black. And I am the pebbles on the bottom of the river, slippery, holding up the water, and I am below the pebbles. I am the dirt. I am grimy and there is grit in my face, my mouth, my lungs, and I know what withered wisdom in the hands of old men is like; I know how trees feel when their roots are intimate with the earth but chained forever there. I know how bittersweet and tiresome broken bottle glass can be, and I know how long it takes to gather all the pieces and put them back together again.
And I am the skeleton of the fish, picked clean.














Comments
1. I am rather fond of that pinkish hue you find on the underbelly of a dead fish, but would prefer that you use a different image in paragraph 3, perhaps something inside of the fish? so the last line still works (because I love that close).
2. In paragraph 2, should it be bathes instead of baths?
3. I also love I am grimy and there is grit in my face, my mouth, my lungs, and I know what withered wisdom in the hands of old men is like; I know how trees feel when their roots are intimate with the earth but chained forever there. That's just beautiful.
1. How's that? (I changed it).
2. yep, thanks.
3. Thank you
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"...the great tragedy of the world is not that people suffer, but how much they miss when they suffer. Nothing is quite as depressing as wasted pain, agony without an ultimate meaning or purpose." ~Fulton Sheen
I particularly like some of the ambiguity in your writing and the way meaning and emotion is not laboured or explicity articulated, but instead subtly captured with actions (for example, going to the art shop and looking in the empty frames because their face is in every one and the grey turning to black).
This is amazing writing.
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"...the great tragedy of the world is not that people suffer, but how much they miss when they suffer. Nothing is quite as depressing as wasted pain, agony without an ultimate meaning or purpose." ~Fulton Sheen
I am going to disagree with *pardonM3 and say that is the most beautiful bit.
This is wonderful. It feels equally good to read your writing in this style again.
also: I'm very busy, so haven't had time to work on the somethingorother I'm writing for you. I could write it now but it would be rushed and I want it to be good. Just to... let you know.
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You have four nostrils, just to let you know.
That bottle line started out very differently, but then I realized I could make it better, and I'm glad someone recognized that it's nice, haha
No worries, I actually forgot about that
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"...the great tragedy of the world is not that people suffer, but how much they miss when they suffer. Nothing is quite as depressing as wasted pain, agony without an ultimate meaning or purpose." ~Fulton Sheen
at least for me.
dammit, I shouldn't have said anything.
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You have four nostrils, just to let you know.
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"...the great tragedy of the world is not that people suffer, but how much they miss when they suffer. Nothing is quite as depressing as wasted pain, agony without an ultimate meaning or purpose." ~Fulton Sheen
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